Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Nicolas Poussin
Poussin Tancred and Erminia

ID: 60080

Nicolas Poussin Poussin Tancred and Erminia
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Nicolas Poussin Poussin Tancred and Erminia


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Nicolas Poussin

French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.  Related Paintings of Nicolas Poussin :. | Paisaje con ruinas | Jupiter and Antiope or Venus and Satyr | The Triumph of Pan | Mars and Venus | The Inspiration of the Poet |
Related Artists:
Ernst Josephson
1851-1906 Swedish Ernst Josephson Gallery was a Swedish painter from a prominent Jewish family, whose main work was done on portraits and paintings of folk life. He did his art studies in Italy, France and the Netherlands, among others, and is reputed to have said at the age of 20: "I will become Sweden's Rembrandt or die." However, his life was marred by illness. He contracted syphilis at a relatively young age, and in 1888 he became mentally ill during a visit to Brittany, having religious hallucinations and believing that he was God and Christ. He was later taken to hospital in Uppsala and diagnosed with schizophrenia, but continued working throughout his disease, often while in a trance-like state. He also wrote poetry, in the collections Svarta rosor (1888, Black Roses) and Gula rosor (1896, Yellow Roses). His main work, Strömkarlen (1884, the Nix), was refused by the Swedish National Museum in Stockholm - however, Prince Eugen, Duke of Narke, bought the painting in fury over the decision. Grandfather of Erland Josephson.
Adriaen van ostade
Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards
Baron Francois Gerard
1770-1837 French Baron Francois Gerard Galleries French portrait and historical painter, b. Rome. In Paris, after brief study under Pajou and others, he became a favorite pupil of J. L. David, who influenced such works as Psyche Receiving the Kiss of Cupid and Daphnis and Chloe, both in the Louvre. As a leading portraitist, Gerard was patronized by the court during the Empire and the Bourbon restoration. His portrait of Mme Recamier, of this period, is in the Louvre. Louis XVIII appointed him court painter in 1814. Many examples of his historical paintings are in the Versailles Museum. His portrait of the Countess Regnault de Saint-Jean-d Angely (1798; Louvre) exemplifies his style of studied elegance and meticulous finish.






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